Introduction | Background Work | Expressive Processing | Conclusions and Future Work | Bibliography
Bibliography
[1] http://www.londondance.com
[2] http://www.randomdance.org
[3] http://www.igloo.org.uk
[4] http://www.vectorlounge.com/04_amsterdam/jam/wireframe.html
[5] http://www.iua.upf.es/eic/mediate/
[6] http://www.koniclab.info
[7] http://www.eyesweb.org
[8] http://www.iua.upf.es/~rpares/
[9] http://motorhueso.net/
[10] http://www.motecada5.com
[11] Juan Antonio Ramírez, “Corpus Solus- para un mapa del cuerpo en el arte contemporáneo”, Ediciones Siruela, 2003.
[12] Stephen Wilson, “Information Arts – intersections of art, science and technology”, MIT Press, 1999.
[13] Michael Rush, “Nuevas Expresiones Artisticas a finales del siglo XX”, Destino, 1986.
[14] Roger Copeland, “Merce Cunningham - Modernizing the Modern Dance”, Routleedge, 2004.
[15] Lilian Tone and Lessia Leonzini, “Circuito fechado: filemes e video de Bruce Neuman”, Centro Cultural Banco do Brasil, 2005.
[16] Katrina M. Brown, “Douglas Gordon”, Tate, 2004.
[17] José Gil, “Movimento Total: O corpo e a dança”, Relógio D’água, 2001.
[18] José Gil, “Sem Título: Escritos sobre Arte e Artistas”, Relógio D’água, 2005.
[19] Jorge Campos and Dario Oliveira “Digital Cinema”, Odisseia das Imagens: Porto 2001, 200
| A Project by Helena Figueiredo: hfortuna[at]final.upf.es; hfigueiredo[at]porto.ucp.pt |
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